About the photographer

i’m roland.

A wedding and family photographer living in Sydney, Australia — most often found at the edge of a celebration, watching for the moment everyone else will want back tomorrow. I’ve photographed vows under temple garlands, in stone chapels, and barefoot on the sand; what never changes is why: because the people in front of my camera are somebody’s whole world.

A bride seated behind wedding flowers, photographed candidly
usually behind the camera —
ma chérie

Every photograph this studio makes is named for one person.

Ma chérie is French — it means my darling, my dear, my sweetheart. And My Sheri began with mine: Sheri-Lee. She is the reason I first picked up a camera with intent — because some faces you never want to forget a single day of.

That is still the standard for every wedding and every family I photograph. You are not a booking on a calendar; you are someone’s chérie. My job is to photograph you the way the person who loves you most sees you — and to make sure that view survives forever.

Sheri-Lee — the namesake of My Sheri Photography

Sheri-Lee — where the name began

Hands at work during wedding morning preparations

How I work

Quietly, warmly, and early

I photograph documentary-first: real minutes, in order, as they happen. When direction helps — and sometimes it does — it sounds like a walk and a word, never a stiff pose. Most couples tell me afterwards they forgot I was working.

Editing is the same philosophy: true to life. Skin looks like skin, whites stay white, and your colours stay yours. Nothing trend-driven that will date your gallery in five years.

Home & away

Made in Sydney, at home anywhere

Sydney gives a photographer everything: harbour light in the morning, bushland gold in the evening, and a hundred kinds of celebration in between. I photograph across the city — the northern beaches, the Hunter, the highlands — and I travel Australia-wide and beyond for the right story.

If your day is happening somewhere I need a passport for, tell me. Some of my favourite frames were made far from home.

Lights reflecting on the water at night

A few true things

Always fifteen minutes early

The quiet before a day begins is where the best photographs hide. I like to be there before the nerves are.

Music, always

There’s a guitar in my car boot. Some ceremonies need a soundtrack; some receptions demand one.

Generations matter

The photo I hunt for at every wedding: a grandmother’s face during the vows. Ask me to show you — I always have one.

shall we?

Tell me who your chérie is.

A wedding next spring, a family that finally has everyone in one city for a week — whatever the occasion, I’d love to hear it.

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